Route guide

Abstracte, un riu d’art: Valencia’s abstract mural route

Across almost ten kilometres of the Túria Garden, Abstracte links twelve mural interventions through colour, geometry and the architecture of the former riverbed.

VSA / Journal6 minute read
Abstract geometric mural by Sandra Betancort beneath a bridge in Valencia’s Túria GardenVSA / Journal cover
Abstracte, un riu d’art — Sandra Betancort — Image published by Visit València; work by Sandra Betancort. Source: Visit València. Converted to WebP and compressed for display; responsively cropped on listing cards. Source-attributed editorial use from Visit València’s public route page; no open reuse licence is stated. Used for cultural context; the scene may have changed since capture.

One route, several languages of abstraction

Abstracte was conceived as a single project rather than assembled later from unrelated walls. Abstraction is the common premise, but not a uniform style. Geometry, optical effects, colour fields, rhythm and traces of graffiti lettering move differently across concrete, corrugated doors, stairways and utility structures.

That shared framework makes comparison useful. A work can organise the broad underside of a bridge, sharpen the edge of a small building or turn a functional surface into a sequence read in motion. The route is therefore as much about support, scale and pace as it is about colour.

Twelve interventions across the Túria Garden

The official route order brings together Sandra Betancort, Álex Marco, AALL (Aaron Mr. Simon and Lluís Salvador), Rubén Viard, Capi Cabrera, Murone, Rubén Tortosa, Roice183, Nico Barrios, Zurik, Ángel Toren and Kaufman.

Sandra Betancort’s intervention beneath the 9 d’Octubre bridge was the first to be completed. Farther along the route, the supports shift between sports buildings, bridge bases, garden service huts and stairs. Rubén Tortosa’s work beneath Pont de Fusta, for example, enlarged the visual error of a printer’s ink injection into an architectural image; the UPV record connects it with a quotation from Hito Steyerl’s The Wretched of the Screen.

Walking—or cycling—the route

The full route is designed to be followed on foot or by bicycle. Cycling makes the nearly ten-kilometre sequence easier to connect in one outing; walking a shorter stretch makes it easier to study the relationship between paint, surface and surrounding park architecture.

Visit València’s route page is the most useful starting point for orientation. Begin from the Parque de Cabecera side for the documented west-to-east sequence, or choose a smaller group of works around the central bridges. The project belongs to an active public landscape, so access, vegetation, maintenance and the condition of individual surfaces can change.

Urban art, but not a substitute for graffiti culture

Abstracte is a commissioned public-art route with an organising body, institutional collaboration and a defined curatorial premise. That context distinguishes it from unsanctioned writing and independent interventions elsewhere in Valencia, even when some participating artists draw on graffiti experience.

The distinction matters because the city’s visual culture contains both. Abstracte shows what coordinated mural practice can do across a continuous landscape; it should be read alongside, not in place of, the smaller, less predictable and sometimes unauthorised work encountered in Valencia’s streets.

A route is also a dated record

The official route documents a project completed in 2021. It does not guarantee that every surface will appear exactly as it did at launch. Weather, maintenance, later interventions and the everyday use of the park can all alter what a visitor finds.

Use the published itinerary as orientation rather than a promise of permanence. Notice what survives, what has changed and how each work meets the landscape now. That gap between project record and present encounter is part of reading art in public space responsibly.

Field note: Follow the official route as a framework, then look beyond the checklist: compare support, scale, movement and the current condition of each intervention.

Method and sources