Purpose & method

About this project

This editorial project explores street art in Valencia through its places, practices and artists. It is intended for curious visitors and readers who want to understand the city beyond a list of murals.

VSA / AboutEditorial method

What the project is for

The site makes a cultural case for paying closer attention to Valencia’s street art. It helps visitors understand what they see, choose areas to explore and identify artists without reducing the city to a checklist of photogenic walls.

The city and its wider scene are the protagonists. This is not an artist portfolio, a shop, a travel agency or a ranking of the ‘best’ names.

Who this is for

Valencia Street Art is written for people who want more than a list of photogenic stops: first-time visitors, returning walkers and readers who want enough context to look independently.

The aim is not to prescribe one route but to make the city more legible, while giving cultural and travel writers a transparent record they can follow back to its sources.

How material is selected

A profile or guide needs a documented Valencia connection, enough evidence to support its claims and visual material with known reuse conditions. Selection also considers whether a new page helps readers understand a practice, place or relationship that is not already clear elsewhere.

The directory remains deliberately selective. A shorter, checked collection is more useful than an apparently comprehensive one built from copied biographies and uncertain images.

What the site will—and will not—do

It publishes sourced profiles, area guides, field notes and image records. It does not promise that a work is still visible, treat scale as quality, confuse permission with artistic value or present an editorial claim as an official title.

Relevant relationships with artists, institutions, tours or commercial links are disclosed when they affect coverage. The project does not invent a team, newsroom or set of collaborators.

Built to evolve

Pages are organised as records that can be revised when evidence changes. Dates, credits, source notes and update histories are part of the content, not administrative detail.

That structure allows the publication to grow without rewriting its standards each time a new artist, area or article is added. Substantial revisions are reviewed against the available sources and recorded transparently.

Project records